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![]() He wondered if there were things I could reintroduce to the song that I had previously cut. It occurred to him that we might actually now be under our byte budget. Seven was still hard at work (and would be up until the submission deadline). #Renoise replace instrument in pattern fullTo be honest, I'm ready to move on to different music, having heard some version of this soundtrack too many times to count!Īt last, after weeks of work, we almost had a full production, and it was fitting inside of 8k. I probably won't spend the time to fix the rest of the minor issues and transposition problems. So if you want a version with that lead fixed. To prove it, I walked myself back through the original score, retuned the lead to match, and simply transposed the lead till it sounded like the original and sure enough, it was a fifth off! I'm definitely one of those that didn't.I attributed the "off sound" to different instruments, no portamento, etc. Lots of people caught this issue, but lots of people didn't. (greets to yzi on Pouet for catching the exact nature of the problem). The lead that PM was using was simply tuned off from the rest of the tracks, and when I tried to fix it and transpose it, I ended up putting it a perfect fifth off of what it should have been. #Renoise replace instrument in pattern plusThe truth is? Laziness on my part, plus a desire to minimize the number of note-instrument combinations and lower entropy.even if the movement was a bit out of tune to the entire song.īut there was one area I really made a mistake, in the blue flowy sea landscape about 7:30 into the production, I b0rk3d up the melody. I think I did pretty well for most of the remapping, but some people have noted that some of the movements in the piece are out of tune with respect to other movements, while in the original this isn't the case. The problem of course is that I'm remapping the music to a VSTi that has a common tuning. So lots of their instruments are just a hair out of tune with respect to each other. I can't quite remember if Scream Tracker let you tune anyways (but Impulse Tracker did). ![]() Neither musician tuned their sampled instruments to a standard tuning, and dealt with the situation on their end by simply transposing certain instruments up and down to compensate. A bunch of folks have asked what's going on in the tuning with this transcription? To be honest, it's difficult. ![]()
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